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LEMONJVICE · MORELIVS ARS LAB
© LemonjviceMORELIVS ARS LAB
MAL
PROJECTS / PROYECTOS

THE
WORK

Arte, Arquitectura y Contexto en diálogo permanente.

Every project at Morelivs Ars Lab emerges from the intersection of three forces — Art, Architecture, and Context. This is not a portfolio. It is a record of cultural consciousness in motion.

ColecciónMorelivs Hypercvbicvs
ArquitecturaMVCINA
Est.2024
Scroll / Desplaza
COLLECTION / COLECCIÓN · 2016–2019

MORELIVS
HYPERCVBICVS

In the timeline of Architecture & Art, there is a need to express the non-conformities with, a revolution.


Un mundo donde la arquitectura vive, y el olvido devora lo que no se recuerda.

Morelivs Hypercvbicvs is a mythological world accessible through old paintings. Architecture is alive. Shadows of oblivion consume what culture forgets. This collection is the visual narrative of that awakening.

The Odyssey of Lemonjvice
THE ODYSSEY OF LEMONJVICE / LA ODISEA DE JVGODELIMÓN
2017 · 8’2.5″ × 2′ · Oil on canvas · The Complete Arc
Musa de Mi
02 / 11
MUSE OF ME;
EPITAPH OF MR. E
2018 · Oil on canvas · The Golden Zone
— BURN —
El Decadente
03 / 11
EL DECADENTE /
THE DECADENT
2017 · Oil on canvas · The Shadow’s Domain
— GLITCH —
Abrazo Cosmico
04 / 11
ABRAZO CÓSMICO
DE JVGODELIMÓN
2017 · Oil on canvas · The Portal
— IRIS —
Torosahedrons
05 / 11
ANTROPOMORPHIC OSS-CASTS
CELEBRATING THE TOROSAHEDRONS
2017 · Oil on canvas · The Celebration
— EXPAND —
Uncertainty of a Chimera
06 / 11
THE UNCERTAINTY
OF A CHIMERA
2016 · Oil on canvas · The Threshold
— WARP —
Colossus
07 / 11
MICROCOSMIC DESTITUTION
OF ÖN ÀMAS, THE COLOSSUS
2016 · Oil on canvas · The Shadow’s Scale
— SLICE —
Chambers of Pomona
08 / 11
CHAMBERS OF POMONA /
APOSENTOS DE POMONA
2016 · Oil on canvas · The World Before
— DISSOLVE —
Mesoamerican Idols
09 / 11
MESOAMERICAN IDOLS CONTEMPLATING
THE DECADENCE OF THE POSTMODERN
2017 · Oil on canvas · Cultural Memory
— DRIFT —
Memorivm Pop
10 / 11
MEMORIVM OBLIVIONE
DELEBITVR V.1
2016 · Mixed media · The Name of the Shadow
— GLITCH —
Memorivm Painted
11 / 11
MEMORIVM OBLIVIONE
DELEBITVR V.2
2016 · Mixed media · Memory Fading
— DISSOLVE —
Tarascan Uarhi
SUBCOLLECTION · MORELIVS HYPERCVBICVS
TARASCAN UARHI
Uarhi — “mujer” en purépecha · Woman in Purépecha · Screen prints · 2018–2026
I
Oral Tradition
Custodians of ancient stories, legends, and histories — ensuring continuity of cultural knowledge across generations.
II
Craft & Artistry
Weaving, pottery, embroidery — ancestral techniques preserved as living bridges between culture, heritage, and environment.
III
Community Leadership
Organizers of ceremony and ritual, advocates for rights and needs, engines of social cohesion within the community.
IV
Education & Empowerment
Champions of bilingual and intercultural education, fostering pride in indigenous identity across generations.
PROYECTO DE TITULACIÓN · ARCHITECTURE · MORELIA, MÉXICO
MVCINA

MUSEO DE
CIENCIAS NATURALES

Una ciudad pequeña de edificios. Un santuario para la vida.

MVCINA was conceived as a conglomerate of individual buildings each defined by its own function and identity — a postmodern language applied to a small city complex designed for Morelia, Mexico. Steel, concrete, glass, and the pink limestone of the region in dialogue. The complex rises elevated from street level as a symbol of spirituality toward nature.

MVCINA Plaza
“Simple geometry made complex in its cluster — each morphology coexists without losing presence.”
MVCINA Sculpture
“A sense of dialogue rather than an intent to confront nature.”
MVCINA Aquarium
“Two domes — an opening at center allowing sunlight to bounce into the bluish tone of the water.”
MVCINA Perspective
“By function and necessity, solidity predominates over aperture — yet there is equilibrium between the two.”
MVCINA Entrance
“The Library greets you in. The Bistro-Cafe bids you farewell.”
MVCINA Collage
“Postmodern architectural language — each building has its own character.”
MVCINA Overview
“The winds circulate harmoniously around the exterior and through the central courtyard.”
MONOCHROME SCALE MODEL / MAQUETA
Model 1
Model 2
Model 3
Model 4
ARS PAVILION · PUBLIC SCULPTURE

ARS
PAVILION

Una escultura habitable que desafía la física de la ingeniería.

A deconstructivist public pavilion holding itself over three dynamic points. Modular cubes and rectangular beams interconnect through joints that articulate and distribute weight. The visitor is invited to occupy the space — and each one has a different experience.


“Culture will always be an essential need to the development of our social fabric, as public art emphasizes sociality and openness.”

Ars Pavilion
THE PAVILION IN CONTEXT / EN CONTEXTO
Ars Pavilion MVCINA
MVCINA · Morelia, MX
Ars Pavilion LV
Las Vegas Desert · NV
Ars Pavilion Columbus
Columbus · OH
ON THE HORIZON / EN EL HORIZONTE

NEXT
CHAPTER

G
Catalog · PM-01

THE PAPER
MIGRANT

El Migrante de Papel

The first catalogued MAL artifact. A stop motion video in progress — a story of cultural migration told through paper forms in motion. Part of The Googieverse collection.

In Production / En Producción
V
Collection · Vol. II

THE
GOOGIEVERSE

El Googieverse

The sequel collection to Morelivs Hypercvbicvs. Cultural migration, futurism, and the Googie architecture aesthetic as a lens through which to examine the Mexican-American experience.

Coming / Próximamente
El Laboratorio del Arte, la Arquitectura y el Diseño.